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| Figure
Study 1 |
Figure
Study 2 |
Figure
Study 3 |
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Figure
Study (looking left) |
Figure
Study (looking right) |
Dancer
1 |
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Dancer
2 |
Dancer
3 |
Dancer
4 |
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Dancer
5 |
Dancer
6 |
Dancer
7 |
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Dancer
8 |
Dancer
9 |
Dancer
10 |
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Male
Figure Study |
Small
Figure Study 1 |
Small
Figure Study 2 |
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Small
Figure Study 3 |
Small
Figure Study 4 |
Small
Figure Study 5 |
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Small
Figure Study 6 |
Small
Figure Study 7 |
Small
Figure Study 8 |
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Two
Figures 1 Charcoal and pastel |
Two Figures 2 Charcoal and pastel |
Two Figures 3 Charcoal and pastel |
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Two
Figures 4 |
Dancer
11 |
Dancer
12 |
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Dancer
13 |
Dancer
14 |
Small
Figure Study |
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Figure
Study 5 |
Figure
Study 6 |
Figure
Study 4 |
“I use illumination and shadow in a way that reflects the theatrical
nature of my subjects, who are often dancers.
This interests me more than drawing the human figure simply as anatomy.
A life model exerts a great deal of energy and effort in holding a motionless
position, so I use line and tone dynamically to express the energy contained
within this stillness. My interest in drawing the human figure has been
to depict the internal, emotional landscape of form, hovering as an illuminated
presence in space.”